A Girl Who was His House is a collection of experimental poetry centering on themes of feminism, political agency, and madness, penned by Canadian writer Sarah-Jean Krahn. (Gothic Funk Press, February 14, 2021, Poetry, $14.00 USD, $18.00 CAD, Trade Paperback).

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Praise for A Girl Who Was His House

“Sarah-Jean Krahn’s second book of poetry is a startling collection where meaning arrives at the cusp of word-shifts and mind-shifts to shock, surprise, reveal, and simply tell the tale of a girl who thrives in the cracks of God’s-and-man’s sidewalks. A Girl Who Was His House is experimental poetry at its decadent best—eerily political, sharply responsible, tearful and fun-filled. Krahn is a gift to Canadian Literature.”
-Clara A. B. Joseph, author of
The Face of the Other

“A Girl Who Was His House sweeps us behind a turtle shell of piercing, witty barbs, a map of ‘her education at home.’ An insidious schooling where he ‘watched you hours.’ Sarcasm, small recourse for the powerless, overwhelms ‘in the numbness of his medicine.’ Still, Sarah-Jean Krahn, the poet, resuscitates and shows us what resilience and braveness means.”
-Elaine Woo, author of 
Put Your Hand in Mine and 
Cycling with the Dragon

“A Girl Who Was His House continues Krahn’s relentless linguistic and narrative deconstruction of the abject (first begun in Weed Apologue), in which the alienation wrought on the latent female self by the forces of patriarchy leads to a riotous reckoning between the imagination’s take on desire and connection and that of language as it seals and unseals ever changing bodies that resist easy definition.”
-Emily Cargan, writer, 
researcher, and educator

“A Girl Who Was His House is  ferocious, vulnerable, and bold–examining the female experience in bursts of words that not only challenge predictable syntax but deliver language like an avenging angel opening her wings to sound and sense.  Sometimes the poems hit like a punch to the gut, sometimes they whisper, grieve, protest, indict.  And always the passion of the poems centers in the female body, its beauty and perils, and rage at how it has been violated by  male domination and abuse.  While Krahn documents that primal pain, sometimes stuttering, crying out or celebrating, she wields her words with a sword of fearlessness, a weapon remade into female might, powerfully female, borne from the uterus, ovaries, clitoris — the sexual body formidable, forthright and from within, offering not just exuberant survival but, it must be said, joy.”
-Jan Worth-Nelson, author of
Night Blind

“Sarah-Jean Krahn’s A Girl Who Was His House repurposes the female body and the domestic in a way that cannot be appropriated by patriarchy. She does indeed, ‘Reclaim this space from your misery,’ in a powerful and innovative articulation of female subjectivity and resistance.”
-Katherine Davis, author of
The Anger Poems

“Sarah-Jean Krahn’s rich, lyrical collection confronts living and longing with a playful danger that dances across the page like a knife’s edge.”
-Nic Custer, author of 
Nothing Works, Everyone Labors